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The Eolian Harp is a poem written by Samuel Taylor Coleridge in 1795 and published in his 1796 poetry collection. It is one of the early conversation poems and discusses Coleridge's anticipation of a marriage with Sara Fricker along with the pleasure of conjugal love .
It is such lyrics and conversation poems as "The Eolian Harp" and "Lines Written at Shurton Bars" that are seen as prefiguring the great works of Coleridge's maturity. [7] [36] [37] Lawrence Hanson, for example, wrote that these "are saved by their spontaneity and lightness from the confusion of overmuch thought. They contain hints of the ...
A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp. They are set in the same location, and both describe Coleridge's relationship with his wife and sexual desire. [24]
To a Friend [Charles Lamb] who had declared his intention of writing no more Poetry "Dear Charles! whilst yet thou wert a babe, I ween" 1796 1800 Ode to the Departing Year "Spirit who sweepest the wild Harp of Time!" 1796 1796, December 31 The Raven. [MS. S. T. C.] A Christmas Tale, Told by a School-boy to his little brothers and sisters.
Like his earlier poem The Eolian Harp, it discusses Coleridge's understanding of nature and his married life, which was suffering from problems that developed after the previous poem. Overall, the poem focuses on humanity's relationship with nature in its various aspects, ranging from experiencing an Edenic state to having to abandon a unity ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Aeolian harps have been featured and mentioned in a number of poems. These include at least four Romantic-era poems: "The Eolian Harp" and "Dejection, an Ode", both by Samuel Taylor Coleridge, and "Mutability" and "Ode to the West Wind" by Percy Bysshe Shelley. [10] The former of these two appears alongside his essay "A Defence of Poetry".
It is certainly plain compared to 'Religious Musings' and his other declamatory poems, and yet the tone is versatile, modulating from the conversational and the chatty into something unusually arresting." [5] In the 21st century, Adam Sisman declared that the poem "was a further development of the new style he had initiated in 'The Eolian Harp ...