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One Night of Sin is the twelfth studio album by English singer Joe Cocker, released by Capitol Records in June 1989. It contains the hit single " When the Night Comes " (US #11), which was Cocker's last US Top 40 hit and played at the end credits of Tom Selleck 's crime drama An Innocent Man of that same year.
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"One Night" is a song written by Dave Bartholomew, Pearl King, and Anita Steiman. It originally was an R&B hit for Smiley Lewis in 1956, before being recorded with greater commercial success by Elvis Presley in 1958.
Burning in the night. In this world is darkness, So let us shine--You in your small corner, And I in mine. Jesus bids us shine, First of all for Him; Well He sees and knows it, If our light grows dim; He looks down from heaven, To see us shine--You in your small corner, And I in mine. Jesus bids us shine, Then, for all around Many kinds of darkness
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The chord notation N.C. indicates the musician should play no chord. The duration of this symbol follows the same rules as a regular chord symbol. This is used by composers and songwriters to indicate that the chord-playing musicians (guitar, keyboard, etc.) and the bass player should stop accompanying for the length covered by the "No Chord ...
Thus, for the arc of 1 / 2 °, the chord length is slightly more than the arc angle in degrees. As the arc increases, the ratio of the chord to the arc decreases. When the arc reaches 60°, the chord length is exactly equal to the number of degrees in the arc, i.e. chord 60° = 60. For arcs of more than 60°, the chord is less than the ...
A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound , while the dissonance between the fourth and fifth or second and root creates tension.
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