Search results
Results from the WOW.Com Content Network
Waiting for "Superman" is a 2010 American documentary film written and directed by Davis Guggenheim and produced by Lesley Chilcott. [2] The film criticizes the American public education system by following several students as they strive to be accepted into competitive charter schools such as KIPP LA Schools, Harlem Success Academy and Summit Preparatory Charter High School.
"Waiting for Superman" is a song co-written by Chris Daughtry for his band Daughtry's fourth studio album, Baptized. [2] It was released as the lead single from the album on September 17, 2013. [ 3 ] An electropop ballad, the song was co-written by Sam Hollander and Boys Like Girls lead singer Martin Johnson .
"Waitin' for a Superman" (subtitled "Is It Gettin' Heavy??" for the song's U.S. album release) is a song by The Flaming Lips, released as the second single taken from their 1999 album The Soft Bulletin, and reaching No. 73 in the UK Singles Chart.
Waiting For Superman may refer to: Waiting for "Superman", a 2010 documentary; Waiting for Superman (song), a 2013 song by the American rock band Daughtry
Yeesh, talk about waiting for Superman. As The CW took the stage at the Television Critics Association winter press tour on Thursday, the network announced return dates for legacy dramas Walker ...
Tuesday’s episode of Superman & Lois ended with the dramatic reveal that viewers have been anticipating since Day 1: Clark’s bestie, Lana Lang Cushing, is finally in on his little secret.
The first single from the album is "Waiting for Superman", written by Chris Daughtry, Sam Hollander, and Martin Johnson. The song was released on iTunes on September 17, 2013. "Battleships" impacted hot adult contemporary radio on May 12, 2014 as the second official single off the album.
Due in part to media attention on the subject including the release of Waiting for "Superman" earlier in the year, as well as the recent settlement between the United Federation of Teachers (UFT) and DoE, the film was released to three full audiences on April 16, 2010, with largely positive reactions from the audience and critics in attendance. [8]