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The Sunlight on the Garden is a 24-line poem by Louis MacNeice. It was written in late 1936 and was entitled Song at its first appearance in print, in The Listener magazine, January 1937. [ 1 ] It was first published in book form as the third poem in MacNeice's poetry collection The Earth Compels (1938).
The Earth Compels gathers together poems written by Louis MacNeice between 1935 and 1937. The manuscript was sent to the publishers Faber and Faber in late 1937. T. S. Eliot, who was an editor at Fabers and had previously given encouragement and support to MacNeice, wrote back on 6 January 1938: 'I have read THE EARTH COMPELS last night, and am very much pleased with it.'
After several refused to stock the album, the cover image was replaced with the band’s now-iconic skull-studded Celtic cross logo. 6. Cannibal Corpse – Eaten Back To Life
Louis MacNeice's archive was established at the Harry Ransom Center at the University of Texas at Austin in 1964, a year after MacNeice's death. The collection, largely coming from MacNeice's sister Elizabeth Nicholson, includes manuscripts of poetic and dramatic works, a large number of books, correspondence, and books from MacNeice's library.
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June Thunder is a 28-line poem by Louis MacNeice.It was first published in book form in MacNeice's poetry collection The Earth Compels (1938). The poem begins with memories of idyllic summer days in the countryside - "the unenduring / Joys of a season" - before returning to the present and "impending thunder".
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The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...