Search results
Results from the WOW.Com Content Network
"Any Time at All" is a song by the English rock band the Beatles. Credited to the Lennon–McCartney partnership, it was mainly composed by John Lennon, with an instrumental middle eight by Paul McCartney. [2] It first appeared on the Beatles' A Hard Day's Night album.
Between 1963 and 1966, the Beatles' songs were released on different albums in the United Kingdom and the United States. In the UK, 30 songs were released as non-album singles, while appearing on numerous albums in the US. Since the remastering of the band's catalogue on CDs in the 1980s, the Beatles have a primary "core catalogue" of 14 albums ...
George Harrison in 1974. George Harrison (1943–2001) was an English musician who gained international fame as the lead guitarist of the Beatles.With his songwriting contributions limited by the dominance of John Lennon and Paul McCartney, Harrison was the first member of the Beatles to release a solo album. [1]
"You Can't Do That" was recorded on Tuesday, 25 February 1964, in EMI Studios in London. [11] An early take with a guide vocal is included on Anthology 1. [12] It was the first song completed in the week before the Beatles began filming A Hard Day's Night, though "I Should Have Known Better" and "And I Love Her" were also started on the same day.
Influenced somewhat by the Shirelles, [3] "When I Get Home" is essentially a rock and roll number, but with unusual chord progressions. Lennon liked this particular ploy, and used it on many of his songs at the time. Typical also of this period of the Beatles is the vocal leap into falsetto.
Apple Records discography, the albums and singles of the Beatles' record label, many of which had involvement by members of the Beatles; The Beatles bootleg recordings; The Beatles' recording sessions; List of songs recorded by the Beatles; The Beatles Tapes from the David Wigg Interviews, a collection of interviews with the band
The unusual chord progression is an example of the Beatles' use of chords for added harmonic expression, [28] a device that Harrison adopted from Lennon's approach to melody. [29] Musicologist Walter Everett describes the composition as "a tour de force of altered scale degrees". He adds that, such is the ambiguity throughout, "its tonal ...
Pedler's discussion with musical experts about the comparison between this Beatles song and Mahler's "Song of the Earth" revealed that none found anything relevant, except perhaps that Mahler's Farewell movement involves various shades of a C major chord and ends after a flute B-A drop (the A chord being a 6th in the chord of C) with the "final ...