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In addition to the composition's striking lead vocal, the song is also highlighted by Sutherland's precise and driving guitar motif and classic E-D-A-G chord progression. [15] [16] "You're Gonna Miss Me" exhibits the influence of John Coltrane, particularly in the distorted sound quality created by Hall's unique application of the electric jug.
"When I'm Gone" also commonly known by its longer title "You're Gonna Miss Me When I'm Gone", is a popular song written by A. P. Carter and was recorded in 1931 by the Carter Family (not to be confused with their 1928 song "Will You Miss Me When I’m Gone?").
In 2009, "You're Gonna Miss Me" was used at length during a scene in episode 21 of Alan Ball's HBO series True Blood, culminating in a frantic, ultimately unsuccessful attempt by Lafayette Reynolds and Lettie Mae Thornton to remove Tara Thornton from the demonic influence of maenad Maryann Forrester.
"Cups" (song), a 2012 song by Anna Kendrick for the movie Pitch Perfect, prominently featuring the line, "You're gonna miss me" "You're Gonna Miss Me When I'm Gone", a 1995 country song by Brooks & Dunn "You're Gonna Miss This", a 2008 country song by Ashley Gorley and Lee Thomas Miller, and recorded by Trace Adkins "You'll Miss Me When I'm Not ...
"You're Gonna Miss Me When I'm Gone" is a song co-written and recorded by American country music duo Brooks & Dunn. It was released in June 1995 as the fourth single from their third album Waitin' on Sundown. The song reached the top of the Billboard Hot Country Singles & Tracks chart.
"You're Gonna Miss This" is a ballad composed of three verses and a bridge, each section portraying an event in the life of an unnamed female character: being driven to school by her mother in the first verse, being visited at her apartment by her father in the second verse, and conversing with a plumber while her children are misbehaving and making noise in the third verse.
After her 1973 recording of "You're Losing Me" was featured in the 2003 film, 21 Grams, Sonny Hudson, who worked in the same school, answered some internet inquiries about her. Hudson, acting on her behalf and that of the German DJ and promoter Dan Dombrowe, began negotiations and after a lengthy period, Sexton agreed to go on stage again after ...
The ukulele was popularized for a stateside audience during the Panama–Pacific International Exposition, held from spring to autumn of 1915 in San Francisco. [19] The Hawaiian Pavilion featured a guitar and ukulele ensemble, George E. K. Awai and his Royal Hawaiian Quartet, [20] along with ukulele maker and player Jonah Kumalae. [21]