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A recording contract (commonly called a record contract or record deal) is a legal agreement between a record label and a recording act (artist or group), where the act makes an audio recording (or series of recordings) for the label to sell and promote.
Walden planned to model the studio after Stax Records and FAME Studios by offering an intimate recording experience with state-of-the-art equipment and a backing studio band. [9] The Capricorn Rhythm Section provided a distinctive full-band sound to artists or on tracks needing accompaniment. [ 7 ]
An artist development deal (also known as a demo deal) is a recording artist contract with a record label or music publisher that promises to develop the skills and public profile of the artist. [1] [2] In exchange for development support, the recording label or publisher receives a right to future high royalties or other desirable rights. [1]
United Western Recorders was a two-building recording studio complex in Hollywood that was one of the most successful independent recording studios of the 1960s. The complex merged neighboring studios United Recording Corp. on 6050 Sunset Boulevard and Western Studio on 6000 Sunset Boulevard.
Built in 1960, Starday Sound once was one of the city's busiest studios, with artists including James Brown, Dottie West and Jim Reeves recording there. [3]When the studio opened as Starday Sound in May 1960, it was Nashville's third commercial recording studio, after RCA Studios and Bradley Film and Recording Studio. [4]
Elektra's Hollywood studio was used to record notable albums by The Doors, Bread, The Rolling Stones, The Stooges, Harry Chapin, Dan Fogelberg, Jackson Browne, and others. Selected list of albums recorded at Elektra (by year)
For too long, oppressive studio contracts forcing exclusivity have prevented series regular actors from being able to earn a consistent living, especially during extended periods when a show is on ...
The Sunset Sound Recorders complex was created by Walt Disney's Director of Recording, Tutti Camarata, from a collection of old commercial and residential buildings.At the encouragement of Disney himself, Camarata began the project in 1958, starting with a former automotive repair garage whose sloping floor would tend to reduce unwanted sonic standing wave reflections.