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Vamos a Bailar (Spanish, 'Let's Go to Dance') may refer to: "Vamos a Bailar", a song by Gipsy Kings from their eponymous album "Vamos a Bailar (Live)", a live version of the song from Mosaïque
The track order also differs between the two versions, and they contain different recordings of the songs "Caminando por la calle", "Trista pena", and "Vamos a bailar". "Viento del arena" is a studio album release from the song's appearance in Luna de Fuego.
The Best of the Gipsy Kings is an album from the band Gipsy Kings.It was released on March 28, 1995, in the US. A compilation of previous albums, which also includes a live release of "La Dona", "Galaxia" and "Vamos a Bailar" (previously released on Allegria) and the popular party Medley (consisting of a mix of Bamboleo, Volare, Djobi Djoba, Pida Me La and Baila Me).
Gipsy Kings is the third album by ... The Japanese version released in 1995 includes an alternate version of "Vamos a Bailar". The song "Inspiration" from this album ...
More than a simple compilation of previous albums, it also includes the 1992 single "Pida Me La", a studio release of "Galaxia", "Allegria" and "La Dona" (previously released live on Allegria), a more energetic release of "Vamos a Bailar" from the LP version and the popular party Medley (consisting of a mix of Bamboleo, Volare, Djobi Djoba, Pida Me La and Baila Me].
Love Songs: Released: July 1996; ... The Essential Gipsy Kings: Release date: 24 August 2012; ... Gipsy Kings "Djobi Djoba" 1989 "Vamos a bailar" Mosaïque "Volaré" 1991
The Very Best of the Gipsy Kings is a compilation album by the French Rumba Catalana band Gipsy Kings, which was released in 1999 in Europe, Japan and Mexico. The US version released in 2000 is identical with the omission of "Hitmix '99 (Radio Edit)", which appears as track #20 on the first CD1 of the other versions.
Success came for Gipsy Kings with their self-titled third album, released in 1987 (1989 in the United States), which included the songs "Djobi Djoba", "Bamboléo", and the ballad "Un Amor". The record spent forty weeks on the US charts, one of few Spanish-language albums to do so. [5] Pablo Reyes left the group in 1988, due to hearing problems. [6]