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Relating to music produced by instruments, as opposed to electric or electronic means ad libitum (commonly ad lib; Latin) At liberty (i.e. the speed and manner of execution are left to the performer. It can also mean improvisation.) adagietto Fairly slowly (but faster than adagio) adagio Slowly adagissimo Very, very slowly affannato, affannoso ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
The quodlibet took on additional functions between the beginning and middle of the 19th century, when it became known as the potpourri and the musical switch.In these forms, the quodlibet would often feature anywhere from six to fifty or more consecutive "quotations"; the distinct incongruity between words and music served as a potent source of parody and entertainment. [4]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
[1] [2] General cuboids have many different types. When all of the rectangular cuboid's edges are equal in length, it results in a cube, with six square faces and adjacent faces meeting at right angles. [1] [3] Along with the rectangular cuboids, parallelepiped is a cuboid with six parallelogram. Rhombohedron is a cuboid with six rhombus faces.
[2] The Chronicle of the Black Sword: Hawkwind: Various works of Michael Moorcock: Michael Moorcock: Based on aspects of the works of Moorcock, including Elric and Jerry Cornelius. Moorcock, who has appeared with the band on numerous occasions, does the narration on Live Chronicles. [3] [4] [5] Dust and Dreams: Camel: The Grapes of Wrath: John ...
The first statement of a musical idea is designated A. Subsequent contrasting sections are labeled B, C, D, and so on. If the first or any other musical unit returns in varied form, then that variation is indicated by a superscript number—A 1 and B 2, for example. Subdivisions of each large musical unit are shown by lowercase letters (a, b ...
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]