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E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
The E-flat major theme is sixteen bars in length. [2] The next section is marked poco più vivo. In some editions, what follows is "Variation I", though it could be argued that the previous section is actually the first variation. In any event, the so-called Variation I presents variations of the theme in triplets.
The 1st movement, in E-flat major, begins with an exposition of the main theme by the orchestra. The clarinet soloist enters with a high F (E-flat in terms of concert pitch) followed by a 3 octave jump before repeating the opening theme. This 3 octave jump, along with other large leaps, is stylistic of this movement.
The E-flat (E ♭) clarinet is a member of the clarinet family, smaller than the more common B ♭ clarinet and pitched a perfect fourth higher. It is typically considered the sopranino or piccolo member of the clarinet family and is a transposing instrument in E ♭ with a sounding pitch a minor third higher than written.
For example, a written C on a B ♭ clarinet or trumpet sounds as a non-transposing instrument's B ♭. The term "concert pitch" is used to refer to the pitch on a non-transposing instrument, to distinguish it from the transposing instrument's written note. The clarinet or trumpet's written C is thus referred to as "concert B ♭ ". [1]
The Piano Concerto No. 22 in E ♭ major, K. 482, is a work for piano, or fortepiano, and orchestra by Wolfgang Amadeus Mozart, composed in December 1785.. This is the first piano concerto of Mozart's to include clarinets in its scoring, [1] and is scored for solo piano, flute, two clarinets (in B ♭), two bassoons, two horns and two trumpets (silent in Andante) in E ♭, timpani (in E ...
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
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