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In the West, the onna-musha gained popularity when the historical documentary Samurai Warrior Queens aired on the Smithsonian Channel. [41] [42] Several other channels reprised the documentary. The 56th NHK taiga drama, Naotora: The Lady Warlord, was the first NHK drama where the female protagonist is the head of a samurai clan. [43]
On the second floor sit a number of women wearing katahazushi hairstyles and dressed in the manner the women-in-waiting of the households of high-ranking samurai or daimyō (feudal lords). They are spectators to a dance performance—what appears to be a zashiki kyōgen , a style of kabuki theatre adapted to performance in private samurai homes ...
At the same time that her teaching was becoming well-known, she began to be famous for her unusual dress: she would leave the house wearing a black silk crepe haori (a man's garment at the time) emblazoned with the Sasaki family crest, her hair done up in an indoor style with hairpins, and wearing the samurai's long and short swords.
Tomoe Gozen (巴 御前, Japanese pronunciation: [5]) was an onna-musha, a female samurai, mentioned in The Tale of the Heike. [6] There is doubt as to whether she existed as she doesn't appear in any primary accounts of the Genpei war. She only appears in the epic "The tale of the Heike".
Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai is an ukiyo-e woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni I. Featuring two of the most prominent actors of the day as characters in a contemporary kabuki drama, it is a classic example of the kabuki-e or yakusha-e genre.
[10] [a] The current Japanese female custom of covering the mouth when smiling derives to a greater or lesser degree from this consideration and from the preference until the 19th century for black-toothed rather than white mouths. [11] Among the samurai, its origin is associated with the idea of loyalty expressed by the color black. [b] When a ...
Nakano Takeko (中野 竹子, April 1847 – 16 October 1868) was a Japanese female warrior of the Aizu Domain, who fought and died during the Boshin War.During the Battle of Aizu, she fought with a naginata (a Japanese polearm) and was the leader of an ad hoc corps of female combatants who fought in the battle independently.
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
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