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A Qantas aircraft, Boeing 787-9 Dreamliner VH-ZND, is named Emily Kame Kngwarreye and painted in a special livery based on her work Yam Dreaming. Emily Kame Kngwarreye, also spelt Emily Kam Kngwarray, [1] was born c.1910 in Alhalkere in the Utopia Homelands, an Aboriginal community located approximately 250 kilometres north-east of Alice Springs (Mparntwe).
The swirling blues, greens and yellows evoke what Kngwarreye called the "green time", after the rains come and the bush erupts with new life in her country, Alhalkere. [5] She painted with a "dump dot" technique, also known as "dump dump", [ 3 ] using her brush to pound the acrylic paint onto the canvas and create layers of colour and movement.
In 2009, more than 200 works by renowned Aboriginal artist Emily Kame Kngwarreye were set aside from the collection at AGOD to form the core for a Melbourne-located museum. [1] When the gallery owners failed to receive government funding, the Emily Museum was instead opened in early 2013 alongside AGOD, at the gallery space in Cheltenham.
Jeanna Petyarre was born c.1950s into the Petyarre artist family at Boundary Bore, an outstation on the Utopia homelands, 270km north east of Alice Springs. [1]Jeanna began her painting career in the 1980s, with her works predominantly representing the traditional plants that her people collect and use as food sources and for medicinal purposes, specifically the Bush Yam and Bush Medicine ...
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Kudditji Kngwarreye, also known as "Goob", (1938 – 23 January 2017) was an Australian Aboriginal artist from the Utopia community in the Northern Territory.He was the brother through kinship of the late Emily Kame Kngwarreye.
Petyarre was the niece of the influential Aboriginal artist Emily Kame Kngwarreye and had several sisters who are also well-known artists in their own right, among them Gloria, Violet, Myrtle and Jeanna Petyarre. Kathleen, with her daughter Margaret and her sisters, settled at Iylenty (Mosquito Bore) at Utopia Station, near her birthplace.
Petyarre worked in the Women's Batik Group with some of her family, like her sister Kathleen Petyarre and well-known aunt Emily Kame Kngwarreye. Her work, such as "Bush Medicine" was influenced by huge brush strokes and heavy lines. She also created feather-like strokes with vivid colours, like her piece "Thorny Mountain Devil Lizard Dreaming".