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Still Life with Bread and Eggs (Le pain et les oeufs) is an 1865 painting by Paul Cézanne in the collection of the Cincinnati Art Museum. It is considered one of Cézanne's most important early still life paintings. In 2022 it was discovered it had been painted over an earlier portrait, possibly a self-portrait.
The Mont Sainte-Victoire and the Viaduct of the Arc River Valley was a bequest to the Metropolitan Museum of Art by Henry Osborne Havemeyer and his wife Louisine Waldron Elder Havemeyer. After Henry died in 1907, the work passed to Louisine; it was donated to the museum following her death in 1929 as part of the Havemeyer collection of 142 ...
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century ...
The Art Institute's American Art collection contains some of the best-known works in the American canon, including Edward Hopper's Nighthawks, Grant Wood's American Gothic, and Mary Cassatt's The Child's Bath. The collection ranges from colonial silver to modern and contemporary paintings.
The Lume at Newfields is set to open Monet and Friends Alive! a fully immersive exhibit highlighting the work of 19th-century impressionist artists.
Portrait of Madame Cezanne in a Striped Robe: 1883-85 56.5 x 47 cm Yokohama Museum of Art: V 229 R 536 FWN 466 Portrait of Madame Cezanne: 1883-85 46.4 x 38.4 cm Philadelphia Museum of Art: V 526 R 532 FWN 468 Portrait of the Artist's Son: 1883-85 19.5 x 11.5 cm Von der Heydt Museum, Wuppertal V 536 R 534 FWN 469 Bathers Outside a Tent: 1883 ...
Mont Sainte-Victoire with Large Pine is an oil on canvas painting by the French artist Paul Cézanne.It is owned by the Courtauld Institute of Art and on display in the Gallery at Somerset House.
Cézanne was finally able to exhibit a one-man show in Paris in 1895, endorsed by Ambroise Vollard. It did not attract widespread attention, but it proved influential on younger artists, and Cézanne gradually acquired a "legendary reputation." His subsequent influence, before and after his death, has been varied but enduring. [7]