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Portrait of Madame Cezanne: c. 1883 20.2 x 14 cm Private collection V 533 R 533 FWN 467 Portrait of the Artist Looking Over His Shoulder: 1883–1884 25 × 25 cm Goulandris Museum of Contemporary Art, Athens V 517 R 535 FWN 471 L'Estaque with Red Roofs: 1883–1885 65 × 81 cm Private collection V 399 R 517 FWN 191 Landscape at L'Estaque: 1883 ...
The Orsay painting was described by art historian Meyer Schapiro as "the most monumental and also the most refined" of the versions, with the shapes being simpler but more varied in their relationships. [10] It is the most sparsely painted, and generally considered the last of the Card Players series. [11]
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
The property had a large view of Aix and the vast surrounding plains, including Mont Sainte-Victoire. This was where he completed most of his late period paintings. [3] While Monet tried to finish landscape paintings in single sessions to capture the moment, Cézanne returned to Mont Sainte-Victoire repeatedly to accumulate a deep idea of the ...
Still Life with Bread and Eggs (Le pain et les oeufs) is an 1865 painting by Paul Cézanne in the collection of the Cincinnati Art Museum. It is considered one of Cézanne's most important early still life paintings. In 2022 it was discovered it had been painted over an earlier portrait, possibly a self-portrait.
Art collector and patron Emil Georg Bührle purchased it from Reber in 1948. Following Bührle's death in 1956, his heirs donated the painting to the Foundation E.G. Bührle in 1960. [5] In February 2008, the painting was stolen from the Foundation E.G. Bührle in Zurich. [6] It was the museum's most valuable painting and was valued at $91 ...
His aim was "to make of Impressionism something solid and durable, like the art of museums." [3] It was painted in the 'mature' period of Cézanne's work. [4] The Mont Sainte-Victoire and the Viaduct of the Arc River Valley was a bequest to the Metropolitan Museum of Art by Henry Osborne Havemeyer and his wife Louisine Waldron Elder Havemeyer ...
Pages in category "Paintings by Paul Cézanne" The following 36 pages are in this category, out of 36 total. This list may not reflect recent changes. *