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Jenn Tran and Sasha Farber wanted to keep their Dancing With the Stars Disney Night dance as accurate to The Little Mermaid as possible — which is why they didn’t share a kiss on the dancefloor.
The Little Mermaid became that year's top-selling title on home video, with over 10 million units sold (including 7 million in its first month) and 13 million units by October 1993. [44] [45] The home video release, along with box office and merchandise sales, contributed to The Little Mermaid generating a total revenue of $1 billion. [46]
As anyone who spends any semblance of time on the internet is well aware, the racists have been, uh, being racist again. With the recent release of a teaser trailer for Disney's live-action remake ...
After three decades of taking flak, it's time to see Ariel in a new light.
"Fathoms Below" is the opening song from the 1989 animated Disney feature film The Little Mermaid. A rousing sea shanty written by Alan Menken and Howard Ashman, the song is sung by the ship's crew on the film's original soundtrack. An extended version with additional lyrics by Glenn Slater appears in the 2008 stage adaptation of the musical. [1]
The scene in which the camera is animated to appear as though it is rotating around Ariel as she sings proved challenging for the animators. Although Clements and Musker had originally intended to hire animator Glen Keane to animate Ursula due to his history of animating Disney villains, [27] Keane specifically requested that he be allowed to animate Ariel after hearing Benson sing "Part of ...
The Little Mermaid: Original Motion Picture Soundtrack is the soundtrack to the 1989 Disney animated film The Little Mermaid. It contains the songs from the film written by Alan Menken and Howard Ashman, as well as the film's score composed by Alan Menken. The score was orchestrated by Thomas Pasatieri. The score’s orchestral recording was ...
Here’s the funny thing about “The Little Mermaid”: Ariel spends most of the film wishing she were human, wondering what it’s like to go walking around on those … what do you call ’em?