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Hispanic-Italian relations were very important, since they brought to the Iberian Peninsula the intellectual ferment and tastes that precipitated the Spanish Renaissance. The Spanish Renaissance began with the unification of Spain by the Catholic Monarchs and included the reigns of Carlos I and Felipe II. For this reason, it is possible to ...
[6] [7] Some censorship of literature continues to the present day as previously censored text have not been updated. [8] Spanish culture itself had also undergone state censorship. Symbols of Spanish culture, such as Flamenco, were prohibited from public display by Franco's administration. [9] Critics and reviewers of literature tended to be ...
Spanish literature of the Middle Ages concludes with La Celestina by Fernando de Rojas. Important Renaissance themes are poetry, with Garcilaso de la Vega and Juan Boscán; religious literature, with Fray Luis de León, San Juan de la Cruz, and Santa Teresa de Jesús; and prose, with the anonymous El Lazarillo de Tormes. Among the principal ...
Rejection of Neoclassicism.Faced with the scrupulous rigor and order with which rules were observed in the 18th century, the romantic writers combined the genres and verses of distinct media, at times mixing verse and prose; in the theater the rule of three unities (action, place, and time) was despised, and they alternated the comic with the dramatic.
Spanish-language literature or Hispanic literature is the sum of the literary works written in the Spanish language across the Hispanic world. The principal elements are the Spanish literature of Spain, and Latin American literature .
Spanish literature was also promoted to readers of French by the Swiss author Simonde de Sismondi with his study De la littérature du midi de l'Europe (1813). Also important for French access to Spanish poetry was the two-volume Espagne poétique (1826–27), an anthology of post-15th-century Castilian poetry translated by Juan María Maury.
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Other important works are Doña Luz (which deals with questions of religious vocation) and Juanita la Larga. This third novel recounts the idyll of Don Paco, a fiftyish man, with the protagonist, who wishes to redeem herself through an honest marriage. Juan Valera was a liberal politician and a religious skeptic.