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Redwork designs are composed of simple stitches and were mainly used to decorate household objects in the 19th and 20th centuries, especially quilts. Patterns for individual quilt blocks were sold for a penny in the United States, making them popular and affordable. In the 21st century, redwork has seen a resurgence among crafters.
The Great Lakes Quilt Center is the Michigan State University Museum’s center for quilt-related research, education, and exhibition activities. [1] While the museum, established in 1857, [2] has long held significant collections, its focus of activities on quilt scholarship and education began with the launch of the Michigan Quilt Project at the museum in 1984 [citation needed].
The collection now numbers more than 9000 quilts from over sixty countries, dating from the 17th century to the present. [6] Faculty and curatorial staff, visiting scholars and graduate student researchers pursue the study of the world's quilt heritage at the center, and an ongoing acquisitions program seeks to document the full scope of global ...
The French Collection is a series of twelve quilt paintings by American artist Faith Ringgold completed between 1991 and 1997. Divided into two parts composed of eight and four quilts each, the series utilizes Ringgold's distinct style of story quilts to tell the fictional story of a young African American woman in the 1920s, Willia Marie Simone, who leaves Harlem for Paris to live as an ...
The American Collection is a series of eleven quilt paintings by American artist Faith Ringgold, completed in 1997, with an additional unfinished quilt that the artist sketched but did not complete. The series serves as a continuation of the narrative the artist began in her earlier series of quilt paintings The French Collection (1991-1997).
Harriet Powers (October 29, 1837 – January 1, 1910) [1] was an American folk artist and quilter born into slavery in rural northeast Georgia. Powers used traditional appliqué techniques to make quilts that expressed local legends, Bible stories, and astronomical events.
Many of her quilts went on to inspire the children's books that she later made, such as Dinner at Aunt Connie's House (1993) published by Hyperion Books, based on The Dinner Quilt (1988). [ 36 ] Ringgold followed The French Collection with The American Collection (1997), a series of quilts that continues the narrative from The French Collection .
After seeing an antique quilt exhibit at the Flint Institute of Art in the mid-1970s, Marston was inspired to learn how to make quilts. [5] She initially learned to quilt from Mennonite women in Oregon, [ 6 ] [ 7 ] and in 1977, she met quilter and quilt historian Mary Schafer (1910-2006), [ 8 ] who became a primary influence. [ 9 ]
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