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Early produce is described as pseudo-red-figure Etruscan vase painting, due to its differing technique. Only by the end of the 5th century was the true red-figure technique introduced to Etruria. For both pseudo- and true red-figure, numerous painters, workshops and production centres have been recognised.
Painted around 510 BCE in the red figure pottery style, the Revelers vase was found in an Etruscan tomb in Vulci, Italy. The painting is attributed to Euthymides. The vase is an amphora (a type of vessel normally used for storage), painted with two scenes: one depicts three nude partygoers, and the other the Trojan hero Hector arming for battle.
Etruscan vase paintings were produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting , followed the main trends in style, especially those of Athens , over the period, but lagging behind by some decades.
Painted around 510 BCE in the red-figure pottery style, the vase was found in an Etruscan tomb in Vulci, Italy. The painting is attributed to Euthymides. The vase is an amphora (a type of vessel normally used for storage), painted with two scenes: one depicts three nude partygoers, and the other the Trojan hero Hector arming for battle.
Procession of men, kylix by the Triptolemos Painter, circa 480 BC. Paris: Louvre The wedding of Thetis, pyxis by the Wedding Painter, circa 470/460 BC. Paris: Louvre. Red-figure pottery (Ancient Greek: ἐρυθρόμορφα, romanized: erythrómorpha) is a style of ancient Greek pottery in which the background of the pottery is painted black while the figures and details are left in the ...
Italiote artists were also extremely adept at using the false red figure technique, also known as Six's technique. This is the application of red and white slips on top of the black gloss rather than leaving figures and designs in reserve, as was the usual Athenian custom. This technique was also very popular in Etruria and may hail from that ...
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