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"Revelation" and "Apocalypse" are respectively a translation and an anglicisation of the original Koine Greek word ἀποκάλυψις, which can also mean "unveiling". In the original Greek, the word is singular, so the name "Revelations" sometimes found in English is often considered erroneous. [13]
Revelation 1:13-16 Daniel 10:5-6 1:13 one like a son of man, wearing an ankle-length robe, with a gold sash around his chest 10:5 a man dressed in linen with a belt of fine gold around his waist 1:14 his eyes were like a fiery flame 10:6 his eyes were like fiery torches 1:15 His feet were like polished brass refined in a furnace
Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
The first chapter of the Book of Revelation refers to "one like a Son of man" in Revelation 1:12-13 which radiantly stands in glory and speaks to the author. [12] In the Gospel of John Jesus is not just a messianic figure, nor a just prophet like Moses, but the key emphasis is on his dual role as Son of God and Son of man. [13]
Revelation 13 is the thirteenth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible.The book is traditionally attributed to John the Apostle, [1] [2] but the precise identity of the author remains a point of academic debate. [3]
Julian of Norwich (c. 1343 [note 1] – after 1416), also known as Juliana of Norwich, the Lady Julian, Dame Julian [4] or Mother Julian, was an English anchoress of the Middle Ages. Her writings, now known as Revelations of Divine Love , are the earliest surviving English-language works attributed to a woman.
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