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The brushes produced by Kuretake Sumi were designed for sumi-e, or inkwash painting. In 1965, Kuretake Industries Co., Ltd. was established as a plant specializing in the production of writing instruments while Tokyo office was established. [3] In 1986, a subsidiary, "Kuretake U.K. Ltd." was established in the West Midlands, England. [3]
Toko Shinoda (篠田 桃紅, Shinoda Tōkō, 28 March 1913 – 1 March 2021) was a Japanese artist. Shinoda is best known for her abstract sumi ink paintings and prints. . Shinoda's oeuvre was predominantly executed using the traditional means and media of East Asian calligraphy, but her resulting abstract ink paintings and prints express a nuanced visual affinity with the bold black ...
Most popular is cinnabar ink, which was reportedly used by Chinese emperors. An artist might commission a custom ink to suit their needs. Medical ink is produced by mixing standard ink with herbal medicines, and can be ground and taken internally. Some inks are made in highly decorative and odd shapes for collectors rather than actual use.
Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing , dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses black ink.
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Ink wash painting brushes are similar to the brushes used for calligraphy and are traditionally made from bamboo with goat, cattle, horse, sheep, rabbit, marten, badger, deer, boar and wolf hair. The brush hairs are tapered to a fine point, a feature vital to the style of wash paintings. [3] [13] Different brushes have different qualities.
Andrée Ruellan, Coal Delivery, an undated drawing, ink and wash on paper, 6 + 3 ⁄ 4 x 5 inches. In the 1930s, Ruellan developed a style that was social-realist with modernist and abstract elements. Her sympathy for her subjects and her ability to convey a warmth in them is similar to Edward Hopper's or Howard Cook's. [13]
By touching a calligraphy brush to the cotton, one could ink the bristles with reduced risk of dripping or spilling ink. By enclosing the cotton in a little box (sumi tsubo), a writing set was made convenient and portable. The first yatate were long boxes, with the ink compartment in the axis of the pen. The "smoking pipe" shape was designed to ...
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