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Note that, given the logarithmic characteristics of Hz, for both music and speech perception results should not be reported in Hz but either as percentages or in STs (5 Hz between 20 and 25 Hz is very different from 5 Hz between 2000 and 2005 Hz, but an ~18.9% or 3 semitone increase is perceptually the same size difference, regardless of ...
The flicker fusion threshold, also known as critical flicker frequency or flicker fusion rate, is the frequency at which a flickering light appears steady to the average human observer. It is a concept studied in vision science , more specifically in the psychophysics of visual perception .
Describe the differences in proportions using the rule of thumb criteria set out by Cohen. [1] Namely, h = 0.2 is a "small" difference, h = 0.5 is a "medium" difference, and h = 0.8 is a "large" difference. [2] [3] Only discuss differences that have h greater than some threshold value, such as 0.2. [4]
It is also occasionally referred to as temporal frequency for clarity and to distinguish it from spatial frequency. Ordinary frequency is related to angular frequency (symbol ω, with SI unit radian per second) by a factor of 2 π. The period (symbol T) is the interval of time between events, so the period is the reciprocal of the frequency: T ...
A typical choice of characteristic frequency is the sampling rate that is used to create the digital signal from a continuous one. The normalized quantity, f ′ = f f s , {\displaystyle f'={\tfrac {f}{f_{s}}},} has the unit cycle per sample regardless of whether the original signal is a function of time or distance.
The cutoff frequency is the critical frequency between propagation and attenuation, which corresponds to the frequency at which the longitudinal wavenumber is zero. It is given by ω c = c ( n π a ) 2 + ( m π b ) 2 {\displaystyle \omega _{c}=c{\sqrt {\left({\frac {n\pi }{a}}\right)^{2}+\left({\frac {m\pi }{b}}\right)^{2}}}} The wave equations ...
The crest factor, which is the difference between the signal's peak and its average power, [31] is on occasions considered as a basis for the measure of micro-dynamics, for instance in the TT Dynamic Range Meter plug-in. [32] Finally, R 128 LRA has been repeatedly considered as a measure of macro-dynamics or dynamics in the musical sense.
This dual threshold action is called hysteresis and implies that the Schmitt trigger possesses memory and can act as a bistable multivibrator (latch or flip-flop). There is a close relation between the two kinds of circuits: a Schmitt trigger can be converted into a latch and a latch can be converted into a Schmitt trigger.