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The Eolian Harp is a poem written by Samuel Taylor Coleridge in 1795 and published in his 1796 poetry collection. It is one of the early conversation poems and discusses Coleridge's anticipation of a marriage with Sara Fricker along with the pleasure of conjugal love .
20th-century literary critics often categorise eight of Coleridge's poems (The Eolian Harp, Reflections on having left a Place of Retirement, This Lime-Tree Bower my Prison, Frost at Midnight, Fears in Solitude, The Nightingale: A Conversation Poem, Dejection: An Ode, To William Wordsworth) as a group, usually as his "conversation poems".
Reflections on Having Left a Place of Retirement is a poem written by English poet Samuel Taylor Coleridge in 1796. Like his earlier poem The Eolian Harp, it discusses Coleridge's understanding of nature and his married life, which was suffering from problems that developed after the previous poem.
Robert Schumann praised this work in a dissertation on the Études; calling it "a poem rather than a study", he coined for it the alternate name "Aeolian Harp". [1] It is also sometimes known as "The Shepherd Boy," following an unsupported tale by Kleczyński that Chopin advised a pupil to picture a shepherd boy taking refuge in a grotto to ...
Poems on Various Subjects (1796) was the first collection by Samuel Taylor Coleridge, including also a few sonnets by Charles Lamb.A second edition in 1797 added many more poems by Lamb and by Charles Lloyd, and a third edition appeared in 1803 with Coleridge's works only.
"Spirit who sweepest the wild Harp of Time!" 1796 1796, December 31 The Raven. [MS. S. T. C.] A Christmas Tale, Told by a School-boy to his little brothers and sisters. "Underneath an old oak tree" 1797 1798, March 10 To an Unfortunate Woman at the Theatre "Maiden, that with sullen brow" 1797 1797, December 7
The ideas about nature also found in "The Eolian Harp" are brought up, following Coleridge's familiar Plotinian view. The poem also includes Coleridge's views on the unity of mankind and nature and the fear that an invasion would destroy this unity.
The poem perfects the 'plain style' he had adopted in 'The Eolian Harp'. It is certainly plain compared to 'Religious Musings' and his other declamatory poems, and yet the tone is versatile, modulating from the conversational and the chatty into something unusually arresting."