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An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named after Aeolus , the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board , with strings stretched lengthwise across two bridges.
Aeolus is an aeolian harp, a stringed instrument that produces music using the wind. [6] Nylon strings are stretched along the tubes, which amplify the strings' sounds. [11] [12] During times that there is no wind, tubes with no strings play low tones in the aeolian mode.
The image of the Aeolian harp was a popular image in turn of the 19th-century literature and collections were built around poems dedicated to the harps. Coleridge's possible poetic influences include James Thomson 's Ode on Aeolus's Harp , The Castle of Indolence , and Spring .
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers.Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts.
Aeolian harp æolian harp, wind harp 314.122 Box zither placed near a window so that wind stimulates the strings chakhe [1] [2] [3] charakhe, jakhe, ja-khe, krapeu, takhe, takkhe: Cambodia, Thailand: 314.122-6 [4] Fretted zither with three strings that are plucked with a plectrum cimbalom [5]
Robert Schumann praised this work in a dissertation on the Études; calling it "a poem rather than a study", he coined for it the alternate name "Aeolian Harp". [1] It is also sometimes known as "The Shepherd Boy," following an unsupported tale by Kleczyński that Chopin advised a pupil to picture a shepherd boy taking refuge in a grotto to ...
title page of Phonurgia Nova. Phonurgia Nova ("New Science of Sound Production") [1] is a 1673 work by the Jesuit scholar Athanasius Kircher.It is notable for being the first book ever dedicated entirely to the science of acoustics, [2]: 21 and for containing the earliest description of an aeolian harp. [3]
Henry Cowell: Piano Music (Smithsonian Folkways 40801)—performances of twenty of his compositions for solo piano, including Dynamic Motion, The Tides of Manaunaun, Aeolian Harp, The Banshee, and Tiger, and a commentary track (album pictured in article)
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