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The Realistic DX-60 is a multiband radio. The radio receives 3 MHz to 27 MHz AM shortwave in three bands, 26.965 MHz through 27.405 MHz HF CB in one band, 540 kHz to 1620 kHz standard AM broadcast in one band, and 87 MHz to 108 MHz monaural standard broadcast FM .
The Realistic Concertmate MG-1 is an analog synthesizer co-developed by Tandy and Moog Music as a basic, low-priced synthesizer to be sold by Radio Shack under their "Realistic" brand. With estimated unit sales of 23,000 from 1982 to 1983, the MG-1 became the best-selling synthesizer ever manufactured by Moog Music, [ 2 ] and is one of the most ...
In 2014, a 41-CD boxed set of Stereo Concert Series classical albums was released, [7] and in 2017 another 40-CD box set of soundtrack and Easy listening/popular recordings, called Spectacular: Nice 'n' Easy. A space themed version, An Astromusical Odyssey, was arranged by Johnny Keating which included songs from the late 1960s to the early 1970s.
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music. [3] [4] [5]
The concertmaster (from the German Konzertmeister), first chair [1] (U.S.) or leader [2] (U.K.) is the principal first violin player in an orchestra (clarinet or oboe in a concert band). After the conductor , the concertmaster is the most significant leader in an orchestra , symphonic band or other musical ensemble .
A four channel quadraphonic diagram showing the usual placement of speakers around the listener. Quadraphonic (or quadrophonic, also called quadrasonic or by the neologism quadio [1] [formed by analogy with "stereo"]) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space.
Schematic drawing of the Grateful Dead's wall of sound. Stanley and Dan Healy and Mark Raizene of the Grateful Dead's sound crew, in collaboration with Ron Wickersham, Rick Turner, and John Curl of Alembic designed the sound reinforcement system in an effort to deliver high-quality sound to attendees of Grateful Dead concerts, which were drawing crowds of 100,000 or more at the time.
Duophonic sound was a trade name for a type of audio signal processing used by Capitol Records on certain releases and re-releases of mono recordings issued during the 1960s and 1970s. In this process monaural recordings were reprocessed into a type of artificial stereo. Generically, the sound is commonly known as fake stereo or mock stereo ...