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The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
The first part of act 2 also went well, but after the toreador's song there was, Halévy noted, "coldness". In act 3 only Micaëla's aria earned applause as the audience became increasingly disconcerted. The final act was "glacial from first to last", and Bizet was left "only with the consolations of a few friends". [48]
Petite suite, orchestrations made by Bizet in 1872 of five movements from his Jeux d’enfants Scènes bohémiennes , an orchestral suite made by Bizet in 1874 from his opera La jolie fille de Perth Suite No. 1 from the above-listed incidental music for Daudet’s L’Arlésienne , compiled in 1872 by Bizet himself
Stan' Up and Fight (Toreador Song, also known as March of the Toreadors in Bizet's opera) – Husky Miller and Chorus; Whizzin' Away Along de Track (Quintet (Nous avons en tête une affaire) in Bizet's opera) – Rum, Dink, Myrt, Frankie, and Carmen; Dis Flower (Flower Song in Bizet's opera) – Joe; If You Would Only Come Away – Carmen and ...
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The peculiar tragic nobility of Bocelli's voice is perfectly suited to the role of Don José, but the clinching elements are the supporting performances, particularly Marina Domashenko in the title role, whose plummily graceful tones bring just the right note of quixotic disdain to the part; and Bryn Terfel, who delivers the "Toreador's Song ...
Les Toréadors (A major) – Theme from prelude to act 1 and Procession of the Toreadors from act 4: "Les voici! voici la quadrille des Toreros!". Suite No. 1 was published c. 1882. [2] The Aragonaise was also used by Pablo de Sarasate in his Carmen Fantasy for violin and orchestra and by Franz Waxman in his own Carmen Fantasie.