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Visually, the tanpura resembles a simplified sitar or similar lute-like instrument, and is likewise crafted out of a gourd or pumpkin. The tanpura does not play a melody , but rather creates a meditative ambience, supporting and sustaining the performance of another musician or vocalist, as well as for musicians accompanying a dance performance.
As with movable do solfege, the notes are heard relative to an arbitrary tonic that varies from performance to performance, rather than to fixed frequencies, as on a xylophone. The fine intonational differences between different instances of the same swara are called srutis. The three primary registers of Indian classical music are mandra ...
[3] Alternatively, the shahrud may have given its name to the sarod. [4] The Persian word šāh-rūd is made up of šāh (shah or king) and rūd (string). [5] Many scholars of Indian classical music believe that the sarod is a combination of the ancient chitravina, the medieval Indian rabab and modern sursingar. [citation needed]
Traditionally drone is often provided by one or more tanpura player(s), especially for vocal performances. The electronic tanpura was created as a marketable, practical solution for instrumentalists, having their hands otherwise engaged, who cannot readily avail themselves of able tanpura players for their long hours of private practice.
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The modern seven string sitar was created by Allauddin Khan. [19] Sympathetic strings on sitar were first added by Ustad Imdad Khan. [20] The earliest compositional style specifically for the sitar emerged in the mid-eighteenth century, attributed to Firoz Khan, who was either the son or nephew of Khusrau Khan. [21]