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Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
Paintings by Philippine artist Juan Luna (1857 — 1899) Pages in category "Paintings by Juan Luna" The following 19 pages are in this category, out of 19 total. ...
The Spoliarium is a painting by Filipino painter Juan Luna.Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators.The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal (out of three). [1]
La Bulaqueña, literally "the woman from Bulacan" or "the Bulacan woman", also sometimes referred to as Una Bulaqueña ("a woman from Bulacan"), is the Spanish title of an 1895 painting by Filipino painter and revolutionary activist Juan Novicio Luna.
Juan Luna completed The Blood Compact in 1886, a year after he moved to Paris to open a studio. It was also the year after Luna became a friend of Félix Resurrección Hidalgo, another known Filipino painter. [1] In 1904, the painting won the first prize in Paris, France and at the St. Louis Exposition in the United States. [6]
The Battle of Lepanto (Spanish: La Batalla de Lepanto [1]) is a painting by Filipino painter [1] and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture. [2] [3] [4] [5]
The Una Mestiza ("A Mestiza"), sometimes referred to as La Mestiza ("The Mestiza"), is an 1887 painting by Filipino painter and hero Juan Luna. The masterpiece is also known as La mestiza en su tocador which translates into English as The Mestiza at Her Dressing Table or Mestiza Lady at Her Dresser. [1] [2] Una Mestiza is also alternately ...
The Odalisque is a famous 1885 painting [1] by award-winning Filipino painter and revolutionary activist Juan Luna.It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".