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2. Tritone substitution - Wikipedia

   en.wikipedia.org/wiki/Tritone_substitution

   Since it is the dominant chord a tritone away, the substitute dominant may resolve down a fifth, to a tonic chord a tritone away from the previous tonic (for example, in F one may feature a ii–V on C, which with a substitute dominant resolves to G ♭, a distant key from F). Resolution from the substituted chord to the original tonic is also ...

3. Diminished seventh chord - Wikipedia

   en.wikipedia.org/wiki/Diminished_seventh_chord

   Diminished seventh chords may also be rooted on scale degrees other than the leading-tone, either as secondary function chords temporarily borrowed from other keys, or as appoggiatura chords: a chord rooted on the raised second scale degree (D ♯ –F ♯ –A–C in the key of C) acts as an appoggiatura to the tonic (C major) chord, and one ...

4. List of chord progressions - Wikipedia

   en.wikipedia.org/wiki/List_of_chord_progressions

   IV-V-I-vi chord progression in C major: 4: Major ... DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW. See also.

5. Altered scale - Wikipedia

   en.wikipedia.org/wiki/Altered_scale

   The altered scale is made by the sequence: Half, Whole, Half, Whole, Whole, Whole, Whole. The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names.

6. Seventh chord - Wikipedia

   en.wikipedia.org/wiki/Seventh_chord

   The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

7. Half-diminished seventh chord - Wikipedia

   en.wikipedia.org/wiki/Half-diminished_seventh_chord

   In diatonic harmony, the half-diminished seventh chord occurs naturally on the seventh scale degree of any major scale (for example, B ø 7 in C major) and is thus a leading-tone seventh chord in the major mode. [3] Similarly, the chord also occurs on the second degree of any natural minor scale (e.g., D ø 7 in C minor). It has been described ...