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June Hadden Hobbs suggested that the origin of the modern "Footprints" is in Mary B. C. Slade's 1871 hymn "Footsteps of Jesus" [16] [17] as "almost surely the source of the notion that Jesus's footprints have narrative significance that influences the way believers conduct their life stories...it allows Jesus and a believer to inhabit the same ...
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. It was written in 1917–1919 and first performed in 1920.
It was sung as a hymn during the wedding of Prince William and Catherine Middleton in Westminster Abbey. [43] Many schools use the song, especially public schools in Great Britain (it was used as the title music for the BBC's 1979 series Public School about Radley College), and several private schools in Australia, New Zealand, New England and ...
The two footprints on a marble slab at the center of the church — nowadays a copy of the original, which is kept in the nearby Basilica of San Sebastiano fuori le mura — are popularly believed to be a miraculous sign left by Jesus. [1] The official name of the church alludes to these footprints: palmis refers to the soles of Jesus' feet.
Annie Johnson Flint was born on 25 December 1866 in a small town Vineland, New Jersey.Her father was of English descent, and her mother was Scottish. [3] She lost both parents in her early childhood.
"In Christ Alone" is considered a Christian credal song for belief in Jesus Christ. The theme of the song is the life, death and resurrection of Christ, [3] and that he is God whom even death cannot hold. The song is commonly known as "In Christ Alone (My Hope Is Found)" and "In Christ Alone (I Stand)" taking verses from the song.
In 1927, the church's Music Committee decided to combine the best of the first three of these hymnals into one volume. The result was called Latter-day Saint Hymns, though it was commonly called "the green hymnbook". It contained 419 hymns, of which 128 still survive in the church's 1985 hymnal.
The hymn inspired other variants, such as the "De nomine Iesu." Three sections of it are used as hymns in the Liturgy of the Hours of the Feast of the Holy Name of Jesus: "Iesu dulcis memoria" , "Iesu rex admirabilis" , "Iesu decus angelicum" . Several English hymns sung today are based on translations of Jesu dulcis memoria.