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It was released as a double A-side single with Moby's song "I Feel It" in the United States, serving as the fourth and final single released from his self-titled debut album. "Thousand" was listed in Guinness World Records for having the second fastest tempo in beats-per-minute (BPM) of any released single, peaking at approximately 1,015 BPM.
"Jump Around" is a song by American hip hop group House of Pain, produced by DJ Muggs of Cypress Hill, who has also covered the song, and was released in May 1992 by Tommy Boy and XL as the first single from their debut album, House of Pain (1992). The song became a hit, reaching number three in the United States.
It was originally released as "Wheels"/"Tell the World", but when both sides of the single started to take off, Warwick Record split the single into two: "Wheels"/"Am I Asking Too Much", and "Tell the World"/"For My Angel". [4] The String-A-Longs version sold 7 million copies, while all versions of the song sold 16 million combined. [4]
The song was a hugely successful single; Spin magazine named it one of the greatest singles of the 1990s, offering a brief verdict with the rhetorical question, "Ever wonder where Puffy came from?" [ 1 ] It also made some media outlets' lists of one of the best rap songs of all time: including The Source , [ 2 ] [ better source needed ] VH1 (No ...
The song peaked at #17 on the Billboard Hot 100 chart, number 10 on the Cash Box Top 100, and spent one week atop the adult contemporary chart. [2] " I'm Easy" was Carradine's only recording to reach the Top 40 , and took the #72 slot on the year-end countdown.
"Wheel of Fortune" is a popular song written by Bennie Benjamin and George David Weiss and published in 1951. It is best remembered in the 1952 hit version by Kay Starr. The song was originally recorded in 1951, for RCA Victor by Johnny Hartman, and about the same time for Crescendo Records by Al Costello with the Walter Scott Orchestra.
Dan Cairns of The Sunday Times has described "The Message"'s musical innovation: "Where it was inarguably innovative, was in slowing the beat right down, and opening up space in the instrumentation—the music isn't so much hip-hop as noirish, nightmarish slow-funk, stifling and claustrophobic, with electro, dub and disco also jostling for room in the genre mix—and thereby letting the lyrics ...
Since its release, multiple publications have listed "C.R.E.A.M." among the best hip-hop songs of all time, with some even describing it as one of the greatest songs of all time. In 2011, Time included the song on its list of the All-Time 100 Greatest Songs. [18] ThoughtCo. ranked the song number 20 on their list of the 100 Best Rap Songs of ...
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