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Barredo returned to the Philippines after pursuing studies in the United States. She co-founded the Repertory Philippines with Zeneida Amador in 1967 which became reputed for its English-language productions. [2] Amador was Barredo's long-time friend whom she had met in her 20s. [3]
Kuntu Repertory Theatre was a primarily student-based, African-American repertory theatre in Pittsburgh, Pennsylvania, United States. Dr. Vernell A. Lillie founded it in 1974 at the University of Pittsburgh as a way of showcasing the playwright Rob Penny .
Repertory Philippines was established in March 1967 by five actors: Zenaida Amador, Carmen Barredo, Leo Martinez, Tony Mercado, and Monina Mercado. [2] Its first production was a Tagalog-language adaptation of Miss Julie by August Strindberg, directed by Rolando Tinio. [3]
In 1976, Vernell Lillie, who had founded the Kuntu Repertory Theatre at the University of Pittsburgh two years earlier, directed Wilson's The Homecoming. That same year Wilson saw Athol Fugard's Sizwe Banzi is Dead, staged at the Pittsburgh Public Theater, the first time he attended professionally produced drama. Wilson, Penny, and poet Maisha ...
University of Pittsburgh Stages or Pitt Stages, previously known as the or University of Pittsburgh Repertory Theatre or Pitt Rep, is the flagship production company for the University of Pittsburgh Department of Theatre Arts. Pitt Stages features students on stage with professional actors and teaching artists staging public performances of ...
Conner, Lynne (2007). Pittsburgh in Stages: Two Hundred Years of Theater.Pittsburgh: University of Pittsburgh Press. ISBN 978-0-8229-4330-3.; Black Horizons Theater (BHT) (note the "s" in the name, which is the authentic title of the theater group, with all of its plural and future-oriented intention) was created after a meeting of Black Action Society (BAS) of the University of Pittsburgh ...
She later earned a BA in Theatre from the University of the Philippines in Diliman and studied at the London Academy of Dramatic Arts (LAMDA), receiving its postgraduate certificate in classical acting. [2] In 1994, she returned to the Philippines and founded the New Voice Company, for whom she played leading roles and serves as Artistic Director.
Santos joined Repertory Philippines [1] as well as Teatro Pilipino, Musical Theater Philippines, and SRO Philippines. At twenty, he was awarded "Most Outstanding Youth" in Theatre. He was professionally involved, either as actor, coach, assistant director or director in more than a hundred stage plays and musicales.