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The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
The motifs and designs in alpanas are usually created in a free-hand style, without the use of stencils or patterns. In the region of Bengal, it is common to use floral motifs, as well as figurative symbols representing specific gods. [3] Modern alpanas may use materials including glue, vermilion, and dyes for more durable designs. [10] [9]
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208.
She authored her first book, Patchwork Patterns, in 1979 and specialized in drafting techniques. [1] Beyer's second book, The Quilter's Album of Blocks and Borders, [4] in 1980 rationalizes a system proposed by a small number of individuals of eight patterns, [5] and featured 532 pieced block designs and 212 border designs. [4]
Roman guilloche around a scene with Diana the Huntress, late 2nd century AD, mosaic, Bardo National Museum, Tunis, Tunisia [1]. Guilloché (French:), or guilloche (/ ɡ ɪ ˈ l oʊ ʃ /), is a decorative technique in which a very precise, intricate and repetitive pattern is mechanically engraved into an underlying material via engine turning, which uses a machine of the same name.
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Tulip and willow design for printed textiles (1873) William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop ...
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