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Books and other written materials have described a number of possible ways to use the sword including "fast draw techniques centered around drawing the sword and cutting as a simultaneous defensive or attacking action", [20] with "a thrust fencing technique", [21] and with a "reverse grip". [22]
In its curved form, the sword is known to the Japanese as tachi in the eighth century. [2]: 8 It evolved from and gained ascendancy over its straight-bladed prototype because years of battlefield experience proved that the curved form of sword was better suited to the needs of the bushi than the straight-bladed kind. Around the curved long ...
Japanese straight swords, 6–7th century, Kofun period, Met Museum. The chokutō (直刀, 'straight sword') is a straight, single-edged Japanese sword that was mainly produced prior to the 9th century. Its basic style is likely derived from similar swords of ancient China.
A distinguishing feature of many kenjutsu syllabi is the use of a paired katana or daitō and wakizashi or shōtō, commonly referred to as nitōjutsu (二刀術, two sword methods). Styles that teach it are called nitōryū (二刀流, two sword school); contrast ittō-ryū (一刀流, one sword school).
Tōjutsu (刀術, tou-jutsu) translates literally as "sword techniques". Tō is a very general Japanese word for sword, and has no connotations with particular sizes, lengths or styles except that it implies the curvature of the blade, [1] like the European sabres. The term Tōjutsu is rarely used or mentioned in martial arts sources.
Attacking with the weapon usually entailed swinging the weighted chain in a large circle over one's head, and then whipping it forward to entangle an opponent's spear, sword, or other weapon, or immobilizing their arms or legs. This allows the kusarigama user to easily rush forward and strike with the sickle. [10] There are three types of ...
It is attested to by the bestowing of two artifacts: a scroll on which is written the name of the techniques and the approach to them that must be transmitted if the school is to be perpetuated truly, [3] and a wooden sword that Musashi made himself, with which he trained and used as a walking stick during the last years of his life, [3] today ...
Iaido is for the most part performed solo as an issue of kata, executing changed strategies against single or various fanciful rivals. Every kata starts and finishes with the sword sheathed. Regardless of the sword method, creative ability and concentration are required to maintain the feeling of a genuine battle and to keep the kata new.