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"Nuclear Man Theme" is a driving action theme used for Superman's battle with the villain created when Lex Luthor places Superman's genetic material on a nuclear warhead detonated by the sun. Alexander Courage adapted Williams' themes for the film, integrating the three new ones with all of the existing themes from Superman .
2022: Williams' Superman theme briefly appears when the destruction of Krypton happens at the beginning of DC League of Super-Pets. 2022: Williams' Superman theme composed by Lorne Balfe briefly appears when Superman meets Black Adam in the mid-credits scene of the DC Extended Universe film Black Adam.
This is an accepted version of this page This is the latest accepted revision, reviewed on 1 January 2025. American composer and conductor (born 1932) This article is about the composer. For other people named John Williams, see John Williams (disambiguation). John Williams Williams in 2024 Born John Towner Williams (1932-02-08) February 8, 1932 (age 92) New York City, U.S. Occupations ...
Music composed and conducted by Elmer Bernstein, original Jaws theme by John Williams. 1980 Superman II: Warner Bros. Music composed and conducted by Ken Thorne, from original material composed by John Williams. 1983 Superman III: Warner Bros. Music composed and conducted by Ken Thorne, original Superman themes by John Williams. 1984 Supergirl
The poster is a subtle homage to 1978’s Superman, starring Christopher Reeve, accompanied by a softer, reimagined version of John Williams’s theme. Originally titled Superman: Legacy, the film ...
Superman Returns (Music from the Motion Picture) is the soundtrack album for the 2006 film of the same name. The score is composed by John Ottman , interpolating music by John Williams , particularly " Superman March " from the Superman: The Movie .
Gunn said he wrestled about whether he should include the rousing main theme composed by John Williams for the 1978 “Superman” movie, which he ultimately realized is so indelibly connected to ...
Superman III was the first of the films to have a score and soundtrack on the same release. Side A was devoted to 20 minutes of Ken Thorne's score (including new material such as a comedic cue that corresponds with the opening slapstick sequence, a theme for Richard Pryor's character, Gus Gorman, and the climactic fight between Clark Kent and Evil Superman).
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