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When the Vatican's flag is ceremonially raised, only the first eight bars are played. [ 2 ] While the Papal Anthem also serves as the national anthem of the Holy See and the Vatican City State , the Vatican stresses that it "is not to be understood as a national anthem"; it is a composition whose words and music "speak to the heart of many ...
As the seat of the Papacy, the Vatican City and its predecessor, the Papal States, has played an important role in the development of Christian music. They perform chants of ancient origin, such as Gregorian chants, as well as modern polyphonic music. The papal choir is a well-known institution that dates back more than four hundred years ...
The choirloft of the Sistine Chapel in the early 17th century, depicted by Agostino Tassi (here in a 1848 copy by Ingres).. The Sistine Chapel Choir, as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir.
In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment. The use of instruments native to the culture was an important step in the multiplication of songs written to accompany the Catholic liturgy ...
Vidi Aquam. Vidi aquam is an antiphon, which may be sung before the Tridentine Mass on Sundays, or either before or at the beginning (in place of the Penitential Rite) of the Mass of Paul VI according to the 2002 rubrics.
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Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern.Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service (or Eucharist) and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.
"The Vatican Rag" takes musical inspiration from ragtime pieces such as "Spaghetti Rag" (1910) and "The Varsity Drag" (1927).[1] [2] A spoken introduction describes the song as a response to the "Vatican II" council—which, among other things, broadened the range of music that could be used in services—and humorously proposes this rag as a more accessible alternative to traditional ...