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Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
Magritte was fascinated by the seductiveness of images. Ordinarily, you see a picture of something and you believe in it, you are seduced by it; you take its honesty for granted. But Magritte knew that representations of things can lie. These images of men aren't men, just pictures of them, so they don't have to follow any rules.
Houses at Vitebsk: 1917: Washington, National Gallery of Art: Image online [94] The Walk: 1917: Wien, Albertina: Image online [95] Above the town: 1917 to 1918: Image online [96] The Wedding: 1917 to 1918: Image online [97] Interior with flowers: 1918: Image online [98] Dacha: 1918: Private collection Image online [99] Apparition: 1918: Image ...
Houses at l'Estaque (French: Maisons à l'Estaque, or Maisons et arbre) is an oil-on-canvas painting by Georges Braque executed in 1908. It is considered either an important Proto-Cubist landscape [2] or the first Cubist landscape. [3] The painting prompted art critic Henri Matisse to mock it as being composed of cubes which led to the name of ...
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
Geoglyphs on deforested land in the Amazon rainforest. A geoglyph is a large design or motif – generally longer than 4 metres (13 ft) – produced on the ground by durable elements of the landscape, such as stones, stone fragments, gravel, or earth.
The aerial cloudscapes painted by Georgia O'Keeffe in the 1960s and 1970s are a special case. Many of them are not landscapes at all, since they don't show any land. They depict images of clouds viewed from above, suspended in blue sky, with the land below nowhere to be seen; it is the view of clouds regarded at a downward and sideways angle, as from the window of an airplane.
Michael Heizer (born 1944) is an American land artist specializing in large-scale and site-specific sculptures. [1] Working largely outside the confines of the traditional art spaces of galleries and museums, Heizer has redefined sculpture in terms of size, mass, gesture, and process.
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