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In addition to the most obvious component, glass, all windows will typically involve some sort paint or stain as decoration, metal strips, or 'cames' used to join the pieces of glass together, waterproofing materials, and fixing systems or frameworks used for additional support (Brown et al. 2002; Vogel et al. 2007).
Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing. While these media are usually liquids, there are solid and semi-solid media used in the making of paints as well.
Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2]
Acrylic paintings require attentive preventive care. Due to the soft nature of the paint, it attracts and holds dirt and debris, creating difficulty when cleaning and resulting in darkening colors over time. Due to the characteristic of acrylic paint, varnishes will diminish top layers of the paint and affect the colors' vibrancy.
The ideal gap size varies by location, but on average it ranges from 15-18 mm thick, giving a final assembly size of 23-26 mm assuming a typical glazing thickness of 4 mm. [9] A double-paned window with air in the gap has an R-value of 2.1, which is much better than the 0.9 that a single pane of glass yields. A triple-paned window, which is not ...
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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]