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Rowan Kaiser, writing in The A.V. Club, sees the episode as the first real demonstration of Babylon 5's heavily serialised overall storyline. Kaiser points out the dichotomy between an episode which, on its own, fails to answer the question of why the Minbari surrendered; and the episode as part of a larger story where there will be a payoff ...
The main Babylon 5 story arc occurs between the years 2257 and 2262. The show depicts a future where Earth has a unified Earth government and has gained the technology for faster-than-light travel using "jump gates", a kind of wormhole technology allowing transport through the alternate dimension of hyperspace.
The Centauri transport ship shown in the episode was created by Foundation Imaging visual effects supervisor Adam "Mojo" Lebowitz, inspired by the design of the Rebel transport ships from The Empire Strikes Back. [9] Lebowitz recalls, "I only designed (and built) one ship, the Centauri transport that looks a bit like a Volkswagon.
Babylon 5 is an American space opera media franchise created by writer and producer J. Michael Straczynski, under the Babylonian Productions label in association with Straczynski’s Synthetic Worlds Ltd. and Warner Bros. Domestic Television.
After completing the third season of Babylon 5, [2] they worked on Paramount's Star Trek: Voyager and Star Trek: Deep Space Nine (ultimately winning two more Emmy Awards for their work on Voyager). Foundation Imaging made the exterior views rendered by computer graphics for the Delta Flyer shuttlecraft , from drawings by Rick Sternbach ...
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The Centauri are in decline with their power waning waning and their prestige now a façade in tatters. "Everyone has an agenda, both personal and political, and intrigue and backroom deals are the order of the day," they continue, "This is the world of Babylon 5, the scene set in some 42 minutes. Let the games begin."