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The position of Bashō in Western eyes as the haiku poet par excellence gives great influence to his poetry: Western preference for haiku over more traditional forms such as tanka or renga have rendered archetypal status to Bashō as Japanese poet and haiku as Japanese poetry. [46] Some western scholars even believe that Bashō invented haiku. [47]
Bashō by Hokusai. Oku no Hosomichi (奥の細道, originally おくのほそ道), translated as The Narrow Road to the Deep North and The Narrow Road to the Interior, is a major work of haibun by the Japanese poet Matsuo Bashō, considered one of the major texts of Japanese literature of the Edo period. [1]
The Seashell Game (貝おほひ, Kai Ōi) is a 1672 anthology compiled by Japanese poet Matsuo Bashō, in which each haiku is followed by critical commentary he made as referee for a haiku contest. [1] It is Bashō's earliest known book, and the only book he published in his own name.
Nozarashi Kikō (野ざらし紀行), variously translated as The Records of a Weather-Exposed Skeleton or Travelogue of Weather-Beaten Bones, is the first travel journal haibun by the Japanese poet Matsuo Bashō. Written in the summer of 1684, the work covers Bashō's journey.
He is an author of numerous books about Japanese literature and in particular Haiku, Senryū, Tanka, and Japanese poetics. [5] The Old Pine Tree (1962) Literary and Art Theories in Japan (1967) Matsuo Bashō: The Master Haiku Poet (1970) Modern Japanese Haiku, an Anthology (1976) Modern Japanese Writers and the Nature of Literature (1976)
Sarumino (猿蓑, Monkey's Raincoat) is a 1691 Japanese anthology, considered the magnum opus of Bashō-school poetry. [1] It contains four kasen renku as well as some 400 hokku, collected by Nozawa Bonchō and Mukai Kyorai under the supervision of Matsuo Bashō. [2]
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Kashima Kikō ((鹿島紀行), variously translated as Kashima Journal or A Visit to Kashima Shrine is a haibun travel journal by the Japanese poet Matsuo Bashō, covering his short journey to Kashima Shrine in the Kantō region.