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"For You Blue" is a song by the English rock band the Beatles from their 1970 album Let It Be. The track was written by George Harrison as a love song to his wife, Pattie Boyd . It was also the B-side to the " Long and Winding Road " single, issued in many countries, but not Britain, and was listed with that song when the single topped the US ...
"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album Kind of Blue. It is a twelve-bar blues in 6 8; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a ♭ VI in the turnaround instead of just the usual V chord. In the composition's original key of G this chord is ...
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that ...
where each cell in the table represents one measure (or "bar"), "I" represents the tonic chord, "IV" the subdominant chord, and "V" the dominant chord.Twelve-bar progressions are formed by applying one of several formulae, including the following.
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
In the case of the lowered third over the root (or the lowered seventh over the dominant), the resulting chord is a neutral mixed third chord. Blue notes are used in many blues songs, in jazz, and in conventional popular songs with a "blue" feeling, such as Harold Arlen's "Stormy Weather". Blue notes are also prevalent in English folk music. [5]
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"Blue" is a song released in 1958 by Bill Mack, an American songwriter-country artist and country radio disc jockey. It has since been covered by several artists, in particular by country singer LeAnn Rimes , whose 1996 version became a hit.
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