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Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in ...
The painting must have been cropped on all sides. A piece of the same canvas bearing Rembrandt’s signature is stuck on the lower right corner. Many of the contours have been strengthened by a later hand Posthumous Portrait of Saskia van Uylenburgh as Flora: c. 1660: Oil on canvas: 100 x 91.8: Metropolitan Museum of Art, New York: 269 ...
The field of Rembrandt studies (study of Rembrandt's life and work, including works by his pupils and followers)—as an academic field in its own right with several noted Rembrandt connoisseurs and scholars—has been one of the most dynamic research areas of Netherlandish art history.
Elsje Christiaens Hanging on a Gibbet (front view) 1664: Pen and brown ink, brush and brown wash: 17.1 x 9.1 cm: Metropolitan Museum of Art, New York: Elsje Christiaens Hanging on a Gibbet (side view) 1664: Pen and brown ink, brush and grayish brown wash on heavy brownish paper: 15.8 x 8.0 cm: Metropolitan Museum of Art, New York
Last week, I wrote about the Berthe Morisot retrospective in Dallas. It's a very good show presenting the work of a fine artist. Its sound scholarly and aesthetic points were nearly smothered by ...
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
The monochromatic painting, which measures 9.6 x 7.3 inches, was purchased by an anonymous buyer for €860,000 (then around $910,000) at the Christie’s sale — more than 50 times the painting ...
In November 1985, Berlin-based art expert Jan Kelch announced that important details in the painting's style did not match the style of Rembrandt's known works, and that the painting was probably painted in 1650 by one of Rembrandt's students. "It is not a fake," Kelch averred. "It remains a great masterful work." [2]