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The image of "The Good Shepherd", a beardless youth in pastoral scenes collecting sheep, was the most common of these images, and was probably not understood as a portrait of the historical Jesus. The depiction of Jesus already from the 3rd century included images very similar to what became the traditional image of Jesus, with a longish face ...
Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy. Christianity makes far wider use of images than ...
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
Glory (from the Latin gloria, "fame, renown") is used to describe the manifestation of God's presence as perceived by humans according to the Abrahamic religions.. Divine glory is an important motif throughout Christian theology, where God is regarded as the most glorious being in existence, and it is considered that human beings are created in the Image of God and can share or participate ...
Protestant art continued the now-standard depiction of the physical appearance of Jesus. Meanwhile, the Catholic Counter-Reformation re-affirmed the importance of art in assisting the devotions of the faithful, and encouraged the production of new images of or including Jesus in enormous numbers, also continuing to use the standard depiction.
There are three references to Passovers in John's Gospel: 2:13, 6:4, and 12:1. Some contend that the Gospel of John refers to only two actual Passovers, one at the beginning of Jesus's ministry and the second at the end of Jesus's ministry, and that the third reference to Passover is only a forecasting of the second Passover in the Gospel of ...
Thou art the King of Israel Thou David's Royal Son, Who in the LORD'S name comest, The King and Blessèd One. All glory, &c. The company of Angels Is praising Thee on high, And mortal men, and all things Created make reply. All glory, &c. The people of the Hebrews With palms before Thee went
Warner Elias Sallman (April 30, 1892 – May 25, 1968) was an American painter from Chicago best known for his works of Christian religious imagery. He also worked in commercial advertising, as well as in freelance illustration. [1]
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