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2. Sony FE 100-400mm F4.5-5.6 GM OSS - Wikipedia

   en.wikipedia.org/wiki/Sony_FE_100-400mm_F4.5-5.6...

   The Sony FE 100-400mm F4.5-5.6 GM OSS is a premium, variable maximum aperture full-frame telephoto zoom lens for the Sony E-mount, announced by Sony on April 19, 2017. [ 1 ] [ 2 ] The FE 100-400mm GM lens is currently the second longest focal length native zoom lens offered for the Sony E-mount, only surpassed by the Sony 200-600mm G lens.

3. List of third-party Sony E-mount lenses - Wikipedia

   en.wikipedia.org/wiki/List_of_third-party_Sony_E...

   8mm T3.1 Cine UMC FISH-EYE II Cine Lens [351] 8mm T3.8 VDSLR UMC Fish-eye CS II Cine Lens [352] 10mm T3.1 VDSLR ED AS NCS CS II Cine Lens [353] 12mm T2.2 Cine NCS CS Cine Lens [354] 16mm T2.2 VDSLR ED AS UMC CS II Cine Lens [355] 21mm T1.5 ED AS UMC CS Cine Lens [356] 35mm T1.3 AS UMC CS Cine Lens [357] 50mm T1.3 AS UMC CS Cine Lens [358] Photo ...

4. List of Sony E-mount lenses - Wikipedia

   en.wikipedia.org/wiki/List_of_Sony_E-mount_lenses

   Sony Lens Adapter E/A 2 2011 Mount adapter APS-C 200g LA-EA2 for A-mount lenses on E-mount camera, SLT-PD-AF with all AF lenses. Sony Lens Adapter E/A 3 2013 Mount adapter 35mm 110g LA-EA3 for A-mount lenses on full-frame E-mount camera, glass-less, CD-AF / OS-PD-AF with SSM/SAM lenses only. [41] Sony Lens Adapter E/A 4 2013 Mount adapter 35mm

5. The best budget telephoto lenses for Canon, Nikon, Sony and ...

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6. Sony FE 70-200mm F2.8 GM OSS - Wikipedia

   en.wikipedia.org/wiki/Sony_FE_70-200mm_F2.8_GM_OSS

   The Sony FE 70-200mm F2.8 GM OSS is a premium, constant maximum aperture full-frame (FE) telephoto zoom lens for the Sony E-mount, announced by Sony on February 3, 2016. [ 1 ] [ 2 ] The 70-200mm f/2.8 lens is popular among event photographers and photojournalists where the lower light capabilities are required.

7. Sony E 50mm F1.8 OSS - Wikipedia

   en.wikipedia.org/wiki/Sony_E_50mm_F1.8_OSS

   Wide open the lens is rather soft but stopping down to f / 5.6 yields very sharp results. That way portraits shot wide open render soft with a very nice bokeh. [3]Distortion is very low and vignetting negligible, but the culprit of this lens is chromatic aberration which is very strong wide open and becomes acceptable only by stopping down towards f / 5.6.