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Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
Art historian Ngarino Ellis writes that patterns used in Kipa's tā moko "will be based on Kipa's whakairo (carving) practice, with a modern slant, both in the imagery and the ideas articulated within it". [6]: 26 She continues Kipa is keen to break boundaries and challenge the notion of tradition within Māori culture.
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
Christine Harvey is a New Zealand tā moko (Māori tattoo) artist and teacher. Life and career. Harvey was born in Christchurch.
An unfurling silver fern frond Koru kōwhaiwhai patterns on a rafter from the Ngāti Maru wharenui Hotunui The koru flag. The koru (Māori for 'loop or coil') [1] is a spiral shape evoking a newly unfurling frond from a silver fern frond. [2] It is an integral symbol in Māori art, carving and tattooing, where it symbolises new life, growth ...
Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons. Freehand creation.
Continuing with writing after his retirement, he returned to his interest in tattoos and wrote two books relating to his time in New Zealand, Moko or Maori Tattooing in 1896 and Pounamu: Notes on New Zealand Greenstone. In the first book, as well as demonstrating and explaining the art of Māori tattooing, he also wrote chapters on the dried ...
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