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After staying in Old Lyme, Connecticut, as a guest of Florence Griswold, he eventually moved near Old Lyme in part because of his interest in painting their ever-present oxen, which Volkert described as "twice as good as cows at posing . . . oxen are always ready to stand still, but cows are more inquisitive and when a newcomer appears they ...
The painting will be auctioned on Nov. 20 in Toronto, with its value estimated at $100,000 to $200,000. Canadian painter Emily Carr’s artwork will be sold at auction. Facebook
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The style of the painting is deliberately primitive; the large cow occupies most of the canvas, in a greenish background, which seems to represent her pasture. The cow appears unusually large, in a brownish-yellow colour. Her eyes and nose seems also very big. The title of the painting is an ironic reference to that particular feature. [4]
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Born in the small town of Cerro Gordo near Decatur, Illinois, to John L. Kuns and Maria Dilling Kuns, Fern Coppedge spent much of her life in Pennsylvania where she was associated with the New Hope School of American Impressionism, the Fellowship of the Pennsylvania Academy of Fine Arts, and the Philadelphia Art Alliance, and what became known as the Pennsylvania Impressionism movement.
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