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The Mahavidya (Sanskrit: महाविद्या, IAST: Mahāvidyā, lit. Great Wisdoms ) are a group of ten Hindu [ 1 ] Tantric goddesses . [ 2 ] The ten Mahavidyas are usually named in the following sequence: Kali , Tara , Tripura Sundari , Bhuvaneshvari , Bhairavi , Chhinnamasta , Dhumavati , Bagalamukhi , Matangi and Kamalatmika . [ 3 ]
Dhumavati is always considered a widow, and thus, is the only Mahavidya without a consort. Though associated with Shiva, having eaten him, he has since left her. [3] [20] Having destroyed the male element in the universe, she is left with nothing, but she is still Shakti, the female element with latent energy.
An 18th-century painting from Rajasthan depicts Chhinnamasta as black, as described in the Pranatoshini Tantra legend. She is seated on a copulating couple. Chhinnamasta is often named as the fifth [24] [25] [26] or sixth [1] [27] [20] Mahavidya (Mahavidyas are a group of ten fearsome goddesses from the Hindu esoteric tradition of Tantra), with hymns identifying her as a fierce aspect of Devi ...
The commonly known origin of Tara is from the 17th chapter of the Rudrayāmala which describes the initial unsuccessful attempts of the sage Vasiṣṭha in worshipping Tara, and the subsequent meeting with the god Vishnu in the form of Buddha in the region called Mahācīna (China) and his eventual success by the means of kaula rites.
In her Mahavidya context, she is also rarely associated with incarnations of Lakshmi such as Sita and Rukmini, though she is identified as two of the Saptamatrikas who are also forms associated with Vishnu, Varahi, and Vaishnavi.
Parvati manifested as 10 mahavidyas and surrounded Shiva not to let him go. Thus Shiva surrounded by 10 mahavidayas and enjoying or suffering due to them is called JIVA and any Jiva who wins these Mahavidyas becomes SHIVA. The 10 mahavidyas and their shivas are :- 1 - Mahavidya ==Mahakali & Mahakaal 2- Shri vidya== Tara & Akshobhya
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The Rādhātantram text bears formal resemblance to the Mahavidya genre and contextual resemblance to the Vaishnava Sahajiya genre. [3] The frame of the Rādhātantram is a dialogue between Shiva and Parvati where Shiva narrates her the love story and divine pastimes of Radha Krishna and their real spiritual forms.