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Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) [1] was an American blues singer, pianist, and entertainer during the Harlem Renaissance.. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, [2] a well-known gay speakeasy in New York City in the 1920s, as a black, lesbian, cross-dressing performer.
Speakeasies were numerous and popular during the Prohibition years (1920-1933). Some were operated by people who were part of organized crime. Even though police and agents of the Bureau of Prohibition would often raid them and arrest their owners and patrons, they were so profitable that they continued to flourish. The speakeasy soon became ...
The Sunset Café, also known as the Grand Terrace Café or simply Grand Terrace, [13] operated during the 1920s, 1930s and 1940s. It was one of the most important jazz clubs in America, especially during the period between 1917 and 1928 when Chicago became a creative capital of jazz innovation and again during the emergence of bebop in the ...
Dance clubs became enormously popular in the 1920s. Their popularity peaked in the late 1920s and reached into the early 1930s. Dance music came to dominate all forms of popular music by the late 1920s. Classical pieces, operettas, folk music, etc., were all transformed into popular dancing melodies to satiate the public craze for dancing.
The resulting illicit speakeasies that grew from this era became lively venues of the "Jazz Age", hosting popular music that included current dance songs, novelty songs and show tunes. By the late 1920s, a new opposition mobilized across the U.S. Anti-prohibitionists, or "wets", attacked prohibition as causing crime, lowering local revenues ...
Step into Naughty Pine Brewing Company and you'll be instantly transported into another world where the beers are brewed to perfection and the 1920s speakeasy vibes are in full swing. Naughty Pine...
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By 1920, the speakeasy became notorious for its riotous performances of hot jazz music which occasionally degenerated into violence and mayhem. [37] A crime reporter for The Washington Post described The Krazy Kat as "something like a Greenwich Village coffee house ", featuring gaudy pictures painted by futurists and impressionists . [ 2 ]