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Clarke finally returned to Sousa's Band as solo cornet and assistant director in 1905 and conducted the band in many recording sessions for Victor at that time. Furthermore, he spent time testing and developing instruments for Conn Instruments in Elkhart, Indiana , and making a considerable number of solo recordings for Victor, Edison, Columbia ...
Clarke's Title Clarke's Subtitle Written Keys Meters 1: The Bride of the Waves: Polka Brillante Concert Adaptation: F major and B ♭ major: and 2 4: 2: The Harp That Once Thro' Tara's Halls: Cornet Solo with Variations: F major: 3: Sounds from the Hudson: Valse Brillante Concert Adaptation: G major, C major, and F major: 3 4: 4: From the ...
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From 1904 to 1906, he performed with the John Philip Sousa Band, sharing solos with Herbert L. Clarke and Walter B. Rogers. [1] [4] [5] He also performed with the Frederick N. Innes Band from 1906 to 1909. [1] [4] He also performed with Gilmore's Band, orchestras conducted by Theodore Thomas, Frank Van der Stucken, and Henry Schradieck.
The Boston 3-star cornets were popular horns of the day and are still respected by collectors and antique cornet enthusiasts. These horns carried the inscription “Ne Plus Ultra” on the bell. Clarke had learned to play on his brother’s horn and then had played professionally for a time on a band provided Courtois. Clarke did not stay with ...
Since Paganini, many variations on the theme have been written, most notably those by Jean-Baptiste Arban, Del Staigers, Herbert L. Clarke for the cornet, trumpet, and euphonium, Francisco Tárrega and Johann Kaspar Mertz for classical guitar, Ignace Gibsone and Louis Moreau Gottschalk for piano, and Giovanni Bottesini for double bass. [3]
Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments.The original edition, Grande méthode complète de cornet à pistons et de saxhorn), was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [1]