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Post-mortem photography was particularly popular in Victorian Britain. [23] From 1860 to 1910, these post-mortem portraits were much like American portraits in style, focusing on the deceased either displayed as asleep or with the family; often these images were placed in family albums. [ 4 ]
Known as one of the world’s most important repositories of early medical history, [2] images of “the darker side of life” make up the collection: [4] anatomical and medical oddities, memorial and post-mortem photography, and original historic photographs depicting death, disease, disaster, crime, racism, revolution, riots, and war. [4]
Mourning portrait of K. Horvath-Stansith, née Kiss, artist unknown, 1680s A Child of the Honigh Family on its Deathbed, by an unknown painter, 1675-1700. A mourning portrait or deathbed portrait is a portrait of a person who has recently died, usually shown on their deathbed, or lying in repose, displayed for mourners.
Spirit photography (also called ghost photography) is a type of photography whose primary goal is to capture images of ghosts and other spiritual entities, especially in ghost hunting. It dates back to the late 19th century.
Hidden mother photography is a genre of photography common in the Victorian era in which young children were photographed with their mother present but hidden in the photograph. It arose from the need to keep children still while the photograph was taken due to the long exposure times of early cameras .
Whatever the name, the popular print format joined the photograph album as a fixture in the late 19th-century Victorian parlor. The reverse side of the card as seen above. Early in its introduction, the cabinet card ushered in the temporary disuse of the photographic album which had come into existence commercially with the carte de visite ...
Catherine Eddowes (14 April 1842 – 30 September 1888) was the fourth of the canonical five victims of the notorious unidentified serial killer known as Jack the Ripper, who is believed to have killed and mutilated a minimum of five women in the Whitechapel and Spitalfields districts of London from late August to early November 1888.
Together, these announcements caused early commentators to choose 1839 as the year photography was born, or made public. Later, it became known that Niépce's role had been downplayed in Arago's efforts to publicize the daguerreotype, and the first photograph is recorded in Eder's History of Photography as having been taken in 1826 or 1827 ...
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