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The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
The polychrome floor, and the architecture, including the base of the Madonna's throne, is depicted with the use of geometrical perspective, an innovation introduced in Italian early Renaissance art. [2] The saints portrayed are St John the Baptist and St Zenobius (patron saints of Florence), St Lucy (titular of the church where the painting ...
Both paintings feature an angel playing music, in keeping with the tradition of medieval representations of angel musicians. [1] The figure of the angel musician dates back to the 13th century. It has evolved over the centuries to proclaim the glory of an illustrious figure from the Bible , such as the Virgin Mary , Mother of God .
[15] [14] Most of these devotional paintings, while exhibiting variations in their iconographic details, show a deep influence of Byzantine art and stylistic principles. [11] In this manner, the San Zaccaria Altarpiece was made in relation to the two other Venetian altarpieces by Giovanni Bellini , including the San Giobbe Altarpiece (1487) and ...
Saint Michael Vanquishing Satan is a painting by the Italian High Renaissance artist Raphael. It shows the archangel Michael standing on top of Satan 's back with his right foot. The painting was commissioned by Pope Leo X and has been located in the Louvre in Paris since 1667.
Venus and Musician refers to a series of paintings by the Venetian Renaissance painter Titian and his workshop. Titian's workshop produced many versions of Venus and Musician , which may be known by various other titles specifying the elements, such as Venus with an Organist , Venus with a Lute-player , and so on. [ 1 ]
Antonello uses many symbols throughout the painting. The book Saint Jerome is reading represents knowledge. The books surrounding him refer to his translation of the Bible into Latin. The lion in the shadows to the right of the saint is from a story about Saint Jerome pulling a thorn out of a lion's paw.
However, such art does exist, and has been consistently made throughout Rabbinic history, for example as in the Dura Europos synagogue, where wingless humanoid angels dressed like Persians appear, as well as winged humanoids. [31] Overall, if angel art is popular in a time and place, there will be Jewish art that depicts angels as well. [30]